Review: Young Adult****

Young-Adult

High school reunion flicks are ten a penny, and play to our morose curiosity of what others are up now, and how better/worse others have faired since leaving education. Up in the Air director Jason Reitman has teamed up with Academy Award-winning writer Diablo Cody of his other hit teenage dramedy, Juno, to take this ‘home-coming’ idea to depressing new levels of self reflection and blacken humour that the results of unregulated and misguided nostalgia can generate. Charlize Theron is Mavis Gary, a writer of teen literature that is going out of fashion who returns to her small hometown to relive her glory days and attempt to reclaim her happily married high school sweetheart, Buddy…

Review: Martha Marcy May Marlene****

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Not to be confused as one of the cutesy tween stars, the Olsen Twins, Mary-Kate and Ashley, little sister Elizabeth has cut her fledgling feature film teeth with far more sinister material in debut writer-director Sean Durkin’s psychological thriller, Martha Marcy May Marlene. Olsen’s performance can only be described as a groundbreaking career move as she takes the lead as Martha, a girl escaping the clutches of a cult existence. Durkin’s unsettling and whimsical thriller is so effective in disorientating the viewer, as you try to decipher what is fact and fiction through the eyes and memories of a troubled young woman, that it leaves more disturbing questions than answers. After two years living under…

Review: Man On A Ledge****

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Expect the unexpected with Man On A Ledge, Ghosts of Cité Soleil documentary filmmaker Asger Leth’s first feature film that offers an ever varying, well-paced and highly enjoyable crime thriller scenario. In fact, Leth might well have succeeded where other directors have failed; casting Sam Worthington in a comfortable role for once, an action-man niche for his ‘reserved’ – some might argue ‘wooden’ – acting personality. Ex-cop Nick Cassidy (Worthington) has been convicted and jailed for stealing a $40 million dollar diamond from unscrupulous Manhattan property tycoon David Englander (Ed Harris). After being released for the day to attend his father’s funeral, Cassidy escapes then ends up checking into upmarket Manhattan hotel, the famous Roosevelt Hotel,…

Review: Journey 2: The Mysterious Island***

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Our thirst for family adventure movies is never quenched, and the promise of yet another involving a mystical, far-off land packed with interesting creatures promises big things. Carving a niche in such a market is Canadian filmmaker Brad Peyton, the debut director of Cats & Dogs: The Revenge of Kitty Galore that got mixed reviews in 2010. Tasked with breathing life back into the Journey to the Center of the Earth franchise from 2008, and with the second film simply shortened to Journey 2: The Mysterious Island, Peyton’s shaky foray into family feature filmmaking has been redeemed. In this adventure, a more mature Sean Anderson (Josh Hutcherson) is back on another quest to find yet…

Review: Carnage*****

Carnage

Tried and tested on stage from Paris to London to Broadway, New York, Yasmina Reza’s successful play God of Carnage was always going to present a challenge being adapted for film by the playwright herself. However, the key to the story – shortened to Carnage – is the power of the acting talent assigned to play the parents; director Roman Polanski’s excellent casting of Jodie Foster and John C. Reilly as the Longstreets, and Kate Winslet and Christoph Waltzas the Cowans is the absolute tour de force of the film. After the Cowans’ son, Zachary (Polanski’s own son Elvis) ‘disfigures’ the Longstreets’ son, Ethan (Eliot Berger) with a stick in the park, the Longstreets, Penelope…

Review: Chronicle****

chronicle

These days, it seems the only cinematic way to suitably recreate the belief that unfolding events are ‘real’ and instil a climate of fear is a cross between pseudo-documentary shooting and mimicking the YouTube generation of ‘caught-on-camera’ moments, the likes of which Paranormal Activity to Blair Witch have successfully sold. Debut feature writer-director Josh Trank and co-writer Max Landis have taken this still fresh and inspiring genre, and given it a sci-fi spin with their anti-superhero flick Chronicle. In the story, three teenagers from very different school social spheres – loner with a troubled family life Andrew (brilliantly played by relative newcomer Dane DeHaan), popular class president nominee Steve (Michael B. Jordan) and good-natured pseudo-intellectual and…

Review: Like Crazy***

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Relationships are hard enough without visas, stretches of water and time differences standing in your way. Writer-director Drake Doremus’s new romantic indie drama, Like Crazy, tackles the tricky issues faced by any fledgling couple, in addition to trying to keep love alive while separated by two continents. British college student Anna (Felicity Jones) is coming to the end of her summer term at an LA university, but has fallen for American student Jacob (Anton Yelchin), and the pair cannot bear to be parted. She decides to stay the summer, overstaying her student visa. When she returns to the UK then arrives back in the States, she is banned from entering the country. Can their long-distance…

Review: The Descendants*****

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It’s Hawaii – but not as we know it. Writer-director Alexander Payne has set one of star George Clooney’s most anticipated releases, The Descendants– since its unveiling at the BFI LFF 2011 – in paradise. But it’s a paradise of a viewing kind that is the perfect combination of dramedy, tragedy and familiar fallouts that simultaneously brings tears of joy and sorrow, with seemingly effortless effect. And with a sprinkle of the Clooney magic in this, its possibilities are endless for the route the story will take. Matt King (Clooney) is a workaholic lawyer who has lost touch with his wife, Elizabeth (Patricia Hastie), and his two teenage daughters, Alexandra (Shailene Woodley) and Scottie (Amara…

Review: X: Night of Vengeance*

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Those making films on the subject of female exploitation, especially prostitution, need to be fully alert of not falling into the trap of aligning themselves with the very individuals that fuel a misogynistic interest. Sadly, even with the dangerous locations of Sydney’s very own red-light Kings Cross district on show for the international audience to see, co-writer-director Jon Hewitt and partner, writer Belinda McClory’s new crime thriller X: Night of Vengeance steps into voyeuristic territory with worrying effect. Spartacus actress Viva Bianca plays jaded high-society call girl Holly Rowe who is called to one last well-paid threesome, before escaping for good on a plane for a new life in Paris, France. After a freak shower…

Review: W.E.***

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Madonna’s second foray into film directing naturally raises more scrutiny than is focused on her new film itself, which is a pity because W.E.produces some memorable moments among its flawed narrative. In fact, had you not known it was the star in the writer-director’s seat, this love story still makes for a haunting picture of obsession that is pleasantly surprising to watch, and offers some strong female performances. W.E. tells the story of two fragile but determined women separated by six decades – Wallis Simpson (Andrea Riseborough), the American divorcée King Edward VIII (James D’Arcy) abdicated the British throne for back in 1936, and New Yorker Wally Winthrop (Abbie Cornish) living in 1998 who is…

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